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OVCW | Создание сайтов, фирменный стиль. Услуги в сфере разработки веб-сайтов, продвижения, а так же анализе в поисковой выдаче.
We’re an independent creative bureau based in Russia. Apart from doing creative and strategic work for others, we also make our own projects. In other words, we don’t just build brands, we also run businesses. Our work is rooted in expressive aesthetics, but with a sincere respect for the classic virtues of design and functionalism. We work from a strategic foundation and believe in the sophistication of an idea as much as the first fascinating thought. We appreciate the beauty of mistakes and coincidences, but always from a thought-through point of view. To us, business as usual sounds boring. If you believe the same, call us, we are open for business.

OVCW | Создание сайтов, фирменный стиль

LowBuz. The New Jersey music scene has been fading with the onslaught of cover bands and pop music groups coming to fame and it seems the club seen has faded away. If you take a look, at most of the upcoming bands that have some sort of a following from other countries and the states it seems most tours just skip over New Jersey. I am not sure if it’s the people, age limits or just the stipulations from the venues or the bands that turn their backs on fans wishing they could see some of these great band that shun New Jersey.
Well recently, some of our staff and me had a chance to go to see our good friend Ray West -- SPREAD EAGLE on his solo mini tour of the East Coast at a club called Dingbatz, a popular Jersey spot. Ray told us he would go on about midnight, so naturally we didn’t want to stand there for a few hours hearing music from bands that we had no interest to hear. Anyway, as we entered the venue about 11pm there was one band left to go on before THE RAY WEST BAND.
As that band entered and started playing to my surprise, I am hearing music and vocals above the norm. A band that actually turned heads as all eyes adjusted to the stage. I have seen a lot of opening bands some good, some bad, but this band blew me away and get this they’re from New Jersey. Yeah let me shit myself, a band that could change the direction of music in NJ. The most captivating vocalist-- Jeff Dixon and band -- LOWBUZ I’ve seen in a long time. You heard the good ole story a band pull out of the Jersey scene from the ruins to build a empire well with some backing LOWBUZ could be that band. I am not building these guys up because I’m from Jersey, it’s they’re that good and the main reason is Jeff Dixon.
LOWBUZ released two prior CD’s “LOWBUZ” in 2003 and “Breaking Point” in 2005 with their new release coming late in 2006 called “On the Inside.” LOWBUZ consists of Jeff Dixon on vocals, Dual guitarists Mike Koenig and Rob Tarulli, drummer L. J. Gravine and bassist Dave Neabore who played in notable bands DOG EAT DOG and MUCKY PUP.
“On The Inside” has five new tracks and the first two releases included as bonus tracks. The opening track “Run Away” is hard hitting right off the bat slamming down the power in the vein of DISTURBED and hints of TOOL and LIVE, LOWBUZ wants to be noticed. Dixon has a superlative voice and he will mesmerize you with his range which transverses the soft melodic sounds through to the aggressive screams. The dual guitars of Mike Koenig and Rob Tarulli on “Make Me Whole” shatter the Jersey images of pretty boys like BON JOVI. LOWBUZ are set forth to bring the sound of Jersey to new heights with quality songs accompanied with impressive vocals.
“Betrayed” is the best track of the five new songs. It has catchy lyrics and with the dual guitars hitting the wawa pedal gives the song a sense of a ballad but very aggressive. “Swallow” is another tune that will uproot the hostility bottled up that needs to be released. The pulsating guitar riffs screaming out and the bass lines by Dave Neabore setting the mood for Dixon’s clear clean vocals makes this one to break loose.
This entire CD is a step in the right direction and labels should be contacting LOWBUZ to sign on the dotted line. If there is a band to resuscitate New Jersey’s terminal club scene from the death’s door… LOWBUZ is the band. Check them out and pick up their CD’s before they‘re out of print. Check the pipes on Mr. Dixon and when you talk about charisma, he’ll be the man.
(c) Rock Eyez (http://www.rockeyez.com)

Millionaire. After an intense career as Belgium’s youngest axeman of the Golden Generation in the seminal rock bands Evil Superstars and dEUS, Tim Vanhamel set up his very own band Millionaire in the year 2000.
Their album debut ‘Outside the Simian Flock’ (2001) promptly hit a sensitive spot with the guys from MUSE, who invited the young combo to join them as support on various UK & European dates. Shortly after, Millionaire also caught the eyes and ears of Josh Homme and they were asked to open for QOTSA on their “Songs for the Deaf” tours in Europe & the US. Josh really took the band under his wings and Tim as his special protégé. Next in line to give the notorious rockers a big ‘thumbs up’ was Dave Grohl. And before long Millionaire found themselves touring Europe again, this time alongside Foo Fighters, and playing their first mega-show at Earl’s Court in London. It came only naturally that recordings of Millionaire’s second album ‘Paradisiac’ took place in Los Angeles with Josh Homme as producer. During his stay in the City of Angels, Tim Vanhamel also joined the freshly founded Eagles of Death Metal and even co-wrote a track on “Peace, Love, Death Metal”. New European and US tours ensued both with Millionaire and EODM. And after being on the road for so long and seeing his personal live disassemble in front of his eyes, Vanhamel shifted his focus to other projects. His painful break-up with top-model Hannelore Knuts provided fertile grounds for his very first – and musically more accessible – solo album ‘Welcome to the Blue House’. Vanhamel’s musical versatility became even more apparent when asked to provide a 60s-inspired score for the internationally acclaimed skid show ‘Benidorm Bastards’, the format and music of which got sold across the world (in the US it aired as ‘Off Their Rockers’). For this he called upon his long-time friend Pascal Deweze. Under the name Broken Glass Heroes they not only scored both seasons of the hit series but also released the full album “Grandchildren of the Revolution”.
After a short stint with Eat Lions, a heavy-duty freejazzhardcore outfit that barely outlived their own intense trail of destruction, Tim went on to join The Hickey Underworld and not much later MAGNUS, Tom Barman’s dance-project with CJ Bolland.
All the while though Tim has been itching to pick up where he left things off with Millionaire about 10 years ago. In all silence and seclusion, he recorded what has now become Millionaire’s #3, the new album “Sciencing”. Could it be the missing link between one and two?

Days Difference. Jeremy William Smith wasn’t one of those kids who sang into a hairbrush in front of the mirror dreaming of being a famous pop star. “I never planned on being a singer,” he says. “My mom made me take piano lessons when I was in first grade and at first I hated it. But then I just fell in love with it and it’s been a constant thing in my life ever since.”
Thank goodness for persistent parents. Jeremy is now the frontman and chief songwriting force behind Days Difference, a young quartet from Virginia Beach, VA, who are gearing up to release their self-titled debut album — a breezy collection of pop gems that showcases the melody-minded songwriting, expressive vocals, and dynamic piano sound of 20-year-old Jeremy. Jeremy formed Days Difference in May 2004 with his 22-year-old brother Jonathan on drums and another set of brothers, 21-year-old Micah and 22-year-old Jeremiah Ricks, who play bass and guitar, respectively. The siblings met when Jeremy and Jonathan filled in for a no-show pianist and drummer at a high school concert that Micah and Jeremiah were performing. “We jammed it out onstage and the chemistry and connection we had together was incredible,” Jeremy recalls. “We knew it was special and that we had to do something together.”
Fully committed to giving the band a shot by May of 2006, Days Difference spent several years honing their propulsive pop sound by opening for artists such as Paramore, Lifehouse, Third Eye Blind, Jack’s Mannequin, and Yellowcard when those artists came through Virginia Beach. In 2007, they released an independent album, Numbers, then embarked on a nationwide tour, in which everything that could have gone wrong did: a tire on their trailer fell off, a show was canceled when the promoter got hit by a car, Jonathan got a concussion playing soccer, Micah broke his collarbone playing football, and they received a $500 parking ticket to top it all off. “I never really believed the whole ‘earn your keep’ thing, but we’ve really paid our dues,” Jeremy says.
The tour may have been grueling, but “it taught us a lot,” Jeremy says. “We really grew as a band and as friends. We had some tough times, but we never doubted ourselves.” You can hear that confidence and camaraderie in the songs on their debut album, an all-killer, no filler set that brims with fresh-faced enthusiasm and the wide-ranging talent of this young group of musicians. To help bring out their best, the band’s team enlisted several veteran co-writers and producers, including Wayne Wilkins (Beyoncé, Natasha Bedingfield), Andrew Frampton (Natasha Bedingfield, Kylie Minogue), Stefanie Ridel Fair (Fergie, Pussycat Dolls), Michael Smidi Smith (Pussycat Dolls, Tupac), and Tim Myers, former bassist for OneRepublic. Myers and Jeremy co-wrote four key tracks “Radio Song,” the touching ballad “Imperfections,” and the radio-ready “Falling Into You” and “Magnetized.” The first single “Are You Happy?” produced and co-written by Jimmy Harry and Jeremy Smith hits radio in early September.
“From the second we worked together, Tim and I saw eye to eye on everything, including the way the melodies and lyrics were supposed to sound,” Jeremy says. “It’s almost as if he were my musical twin, but better. As far as co-writing, I just wanted to create the best songs possible. Great songs make great bands, and if you don't have great songs, then there's really no point in releasing an album. We wanted to make an album of hit singles — with great lyrics, great melodies, and great hooks. If you strike that chord with every song, people will connect with you better.”
Certainly the folks at Universal Motown saw the potential in Days Difference and their ability to connect with a wide audience. The band signed to the label a mere 24 hours after playing a well-attended industry showcase in June 2008. Disney has also climbed aboard, casting Jeremy, Jonathan, Micah, and Jeremiah as members of Miley Cyrus’s backing band i

Days Difference

Child Of Atmosphere. Интервью: http://www.websmi.by/2017/03/ya-otnosilsya-k-nej-bolshe-chem-prosto-zvuku-u-belorusskoj-instumentalnoj-muzyki-est-budushhee/?_utl_t=vk
Spotify https://open.spotify.com/artist/4SMoMEbXlDJ1pb8mn7E34o?si=Dnjl9EKxQdmjywfK_WmbZQ
Apple Music https://music.apple.com/us/artist/child-of-atmosphere/1608687129
Яндекс.Музыка https://music.yandex.by/artist/7667279
YouTube https://www.youtube.com/channel/UCoUcNZfQjrnEYMgm_DawnNA

Child Of Atmosphere