Поиск
Частное сообщество

Частное сообщество

Подписчики: нет данных
ID: 188068501

Блокировка:

Нет ограничений

Верификация:

Сообщество не верифицировано администрацией ВКонтакте

Видимость

частное

Популярность:

У сообщества нет огня Прометея

Домен:

lapshafromostrova

Kings of Leon_ garage rock_. garage rock_
ОтреДактирую_попоЗжеЕ_
Гараж - Это Субкультура_Звука
посмотРЕть на Них Можно Здесь_
http://www.youtube.com/watch?v=uZe4rn-VTvI&mode=related&search=
http://www.youtube.com/watch?v=CAmXdPXKyhI&mode=related&search=
Тут Шит какой-то про группу написан кому интересна_Статья одна и та Же по всему рускоязычному интернету_
http://mp3spy.ru/ru/band/B91A186p0/kings_of_leon/?tab=bio
Официальная версия_
Caleb Followill - lead vocals, rhythm guitar
Jared Followill - bass
Matthew Followill - lead guitar
Nathan Followill - drums
I think people tend to expect a certain sound from us, says Kings of Leon's drummer Nathan Followill, but on this record, we tried to throw them for a loop.
Indeed, it's not business as usual on the Nashville-based quartet's ambitious, eclectic new album Because Of The Times. Where Kings of Leon's last release, 2005's Aha Shake Heartbreak, was a fuzz-encrusted rocket of controlled violence, as Rolling Stone put it, packed with emphatic two-minute bursts of raunchy guitars, brawny drums, and growled vocals, Because Of The Times finds the Followills (brothers Nathan, Caleb, and Jared, and their first cousin Matthew) opening up, relaxing the rules, and reveling in the joys of their newfound musical freedom.
We took the limitations off of ourselves, says frontman/rhythm guitarist Caleb. We went into the studio with an open mind, thinking let's do whatever it takes to get these songs to the next level. Because we really have a lot of music inside of us and a lot of different places we can go.
It would have been easy for Kings of Leon to make Aha Shake Part II and call it a day. That album (along with its predecessor, 2003's Youth and Young Manhood) transformed these sons of a Pentecostal minister, who grew up traveling with the preacher around the rural Deep South, into rising stars in the U.S. and major rock stars in the UK. In 2005, Harp magazine called Kings of Leon the freshest breeze to blow through the modern music scene since punk rock turned everything upside down and inside out in the late '70s.
But instead of resting on their rep, the guys chose to challenge themselves. We weren't scared to try anything, Nathan says. I think that's the difference between this album and the last. We weren't timid at all. Every song showed us something we had inside of ourselves that we didn't know existed, which enabled us to be even bolder on the next song.
To that end, Because Of The Times (the title refers to an annual preachers' conference the boys attended growing up) contains Kings of Leon's first-ever album track that clocks in at longer than five minutes (Knocked Up), the first song with vocal effects (On Call), and the first one you could verifiably call an arena-rock anthem (Black Thumbnail). Then there's the breakneck McFearless, the chiming Ragoo, the scuzzy Charmer, and the waltzing The Runner - a song so pretty, it's damn near a lullaby. I can sing pretty if I want to sing pretty, says Caleb, whose slurry Southern cadences were once a hallmark of the band's sound.
Perhaps because it was the first album the band have made in which they entered the studio knowing exactly how they wanted it to sound, Because Of The Times is Kings of Leon's most diverse collection yet. Brimming with ideas, it represents a huge leap forward both in songwriting and musical prowess. Though Caleb writes the majority of the lyrics, this was the first album where all four band members contributed equally and had a say so in every song, Nathan says. Adds Caleb: because we were trying to make a different-sounding record, we had to sit back and listen to each other a little more.
To shepherd them through

Kings of Leon_ garage rock_

Bentley Jones ( Lee Brotherton ). Lee Brotherton (более известный под псевдонимом Bentley Jones) - английский музыкант, создатель компании Remix Factory.
Первым релизом была песня Dream of an absolution, написанная для игры Sonic the Hedgehog 2006 (заглавная тема Сильвера).
До 2007-го года его работы подписаны настоящим именем или же названием компании Remix Factory. После 2007-го Ли решает сосредоточиться на работе в качестве самостоятельного музыканта, условно отделить свое творчество от Remix Factory, и берет псевдоним Бентли Джонс.
В начале 2008 он записывает свою версию песни Open your heart (игра Sonic Adventure), которая выходит на альбоме True Blue, посвященном 15-летию Соника.
В августе его приглашают в качестве специального гостя на фестиваль Summer of Sonic, проходящий в Лондоне. Бентли исполнил аранжированную им композицию, ставшую темой фестиваля, по названием His World ~Blue World Prelude~ (вариация песни His World), над которой он так же работал для видеоигры Sonic the Hedgehog 2006. На фестивале им была исполнена и балладная вариация композиции Dream of an Absolution, а в завершении встречи - песня Dreams Dreams (тема из игры NiGHTS – Journey of Dreams).
Ли поет на двух языках - английском и японском.
В августе 2008 он сотрудничает с французскоим дуэтом Cassandre в создании ремикса на песню Liberté, что дополняет его послужной список еще и французским языком.
В ноябре 2008 Бентли Джонс подписывает контракт с японским лейблом EMI Music Japan, чему несказанно рад, т.к. неоднократно признавался, что является большим поклонником японской музыки. В частности, певицы Ayumi Hamasaki, на песню которой он не только записал японскую кавер-версию, но и перевел на английский язык (трек Depend on Me).
В 2012 году планируется выпуск нового альбома Upgrade 1.0. А так же будет представлено издание Limited Edition, где войдут 3 диска:
1 диск - 15 треков
2 диск - Бонус диск UPGRADE 0.1 〜Non-stop Megamix〜 с дополнительными треками:
Mixed by VDJ Ta-shi (The Clock Position) 01 MUZIK (Curtis Young featuring Bentley Jones – PHUNKSTAR Vocal Mix) 02 Bad Boi 03 Invincible (featuring SHUN) 04 Oh-Wei-Oh (Devil in Headphones – PHUNKSTAR Radio Mix) 05 Down in Tokyo (UPGRADE Ver.) 06 Sexy People (PHUNKSTAR Radio Mix)
Mixed by Bentley 07 STUTTA 08 Oh-Wei-Oh (Devil in Headphones – Original Mix) 09 MUZIK (Curtis Young featuring Bentley Jones – Original Mix) 10 Touchscreen (PHUNKSTAR Vocal Mix) 11 Ready to be Loved (PHUNKSTAR Vocal Mix) 12 Let Me Be With You 13 Joyful (UPGRADE Wynter Ver.) 14 Down in Tokyo (UPGRADE Ver.)
3 диск - UPGRADE 0.2 〜Videos〜, в котором будет 2 клипа на синглы Sexy People и Joyful (UPGRADE Wynter Ver.).
А так же будет входить в комплект эксклюзивный арт от Бентли.
-----
Студийные альбомы:
- TRANS//LATION (2009)
- So Much More (2010)
- Finally Free (2010)
- Alpha Dog (US Remixes) (2010)
- ST4LK3R - Waiting for Clouds (2010)
- TRANS//LATION 2 (2011)
- Oh-Wei-Oh (Devil in Headphones) (2011)
- Bad Boi (2011)
- Entaurage - EP (2011)
- Upgrade 1.0 (2012)
- ICUCM (Ain't Nobody) - EP (2013)
- The Place Where Dreaming Ends - EP (2013)
- The Closing of the Year (2013)
- Defying Gravity (2014)
- Upgrade 1.0 (International Edition) (2014)
- TRANS//LATION 3 (2015)
Отдельные треки и синглы:
- Dreams of an Absolution = музыка для игры (2007)
- Dreams of an Absolution (LB vs. JS Remix) = музыка для игры (2007)
- Open Your Heart (Crush 40 vs. Bentley Jones Remix) = трек для альбома True Blue: The Best of Sonic the Hedgehog

Bentley Jones ( Lee Brotherton )

______W_А_ L_T__D_I_S_N_E_Y______. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Walt Disney Pictures (Уолт Дисней Пи́кчерз) — американская кинокомпания, имеющая подразделения в Японии и на территории США. Это основная кинематографическая студия развлекательного медиаконгломерата The Walt Disney Company со штаб-квартирой в городе Бербанк, штат Калифорния. Walt Disney Pictures является дочерней компанией из развлекательного сектора компании Дисней. Кинокомпания Walt Disney Pictures была основана как подразделение Дисней в 1983 году, и до этого момента фильмы Дисней выходили под лейблом материнской компании, тогда называющейся Walt Disney Productions.
Walt Disney Pictures также включает в себя Walt Disney Feature Animation в которую в свою очередь входят студии DisneyToon Studios и приобретённая в 2006 году Pixar, а также является подразделением Buena Vista Motion Pictures Group.
Логотип компании представляет собой силуэт замка Спящей красавицы в Диснейленде. Наиболее известной версии логотипа, существовавшей с 1985 года, в 2006 году пришёл на смену новый объёмный логотип, созданный новозеландской студией компьютерной графики Weta Digital, впервые демонстрировавшийся в 2006 году в фильме «Пираты Карибского моря 2: Сундук мертвеца».
На протяжении всего XX века компания Дисней была лидером мультипликации и пробивала себе путь почти во всех аспектах мультипликационных техник.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Around here, however, we don't look backwards for very long.
We keep moving forward, opening new doors and doing new things, because we're curious... and curiosity keeps leading us down new paths
(c) Walt Disney
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

______W_А_ L_T__D_I_S_N_E_Y______

‘𝗦𝗪𝗥𝗘𝗜𝗡.𝗭𝗢𝗡𝗘 #𝗿𝗲𝗮𝗹𝗺 𝗼𝗳 𝗮𝗻𝗮𝗿𝗰𝗵𝘆 NO. 1. 𝗟𝗘𝗧'𝗦 𝗕𝗥𝗘𝗔𝗞 𝗩𝗜𝗥𝗧 𝗧𝗢𝗚𝗘𝗧𝗛𝗘𝗥 𝗪𝗜𝗧𝗛 𝗨𝗦 > 𝗧𝗵𝗲 𝗦𝗪𝗥𝗘𝗜𝗡 𝗰𝗼𝗻𝗳𝗲𝗿𝗲𝗻𝗰𝗲 𝗶𝘀 𝗮𝗹𝘄𝗮𝘆𝘀 𝗼𝗽𝗲𝗻 𝘁𝗼 𝗻𝗲𝘄 𝗳𝗮𝗰𝗲𝘀, 𝘄𝗶𝘁𝗵 𝘂𝘀 𝘆𝗼𝘂 𝘄𝗶𝗹𝗹 𝗳𝗲𝗲𝗹 𝘁𝗵𝗲 𝗹𝗼𝗻𝗴-𝗮𝘄𝗮𝗶𝘁𝗲𝗱 𝗰𝗼𝗺𝗳𝗼𝗿𝘁. 𝗢𝗽𝗲𝗻𝗲𝗱 𝗝𝘂𝗻𝗲 𝟭𝟭, 𝟮𝟬𝟮𝟮

‘𝗦𝗪𝗥𝗘𝗜𝗡.𝗭𝗢𝗡𝗘 #𝗿𝗲𝗮𝗹𝗺 𝗼𝗳 𝗮𝗻𝗮𝗿𝗰𝗵𝘆 NO. 1

Kontor Records. KONTOR Records – A Portrait
2009 follows a veritable annus mirabilis at KONTOR Records, but halfway through the year, the signs are more than positive that the label’s run of success will continue.
2008 certainly proved to be a golden year in the history of KONTOR Records...a gold album award in Germany for Scooter’s latest album “Jumping All Over the World“ – and platinum for the same album in the UK! It was the sensational story of the spring season – Scooter topple Madonna from the charts, dethroning the queen of pop from the #1 spot in the British album listings.
In actual fact, this is a perfect illustration of the success of KONTOR – over a decade of the hottest dance music, reaching all corners of the globe. Hit records and artist development, both at home and abroad. Stay faithful to the music, and the artists will stay faithful to the label – international stars like Scooter and ATB (both have hit the #1 spot in the UK) have enjoyed a long term association with KONTOR and its worldwide network of like-minded dance labels.
It’s fair to say, the label has categorically debunked the theory that dance music cannot create successful artists with the long-term potential to sell albums in large quantities. Kontor has advanced to the status of global player in the electronic music scene, with an ear to the ground (the dancefloor, to be exact) and a heart beating in time to the turntables right across the international spectrum.
It all began in 1995, when Jens Thele, now Kontor Records managing director and head of A&R, opened the doors on a time-honoured Hanseatic commercial room – or Kontorhaus, as they say in Hamburg – to DJ and organise house music nights. Before long, Kontor rose to the top of the list as the place to be, for clubbers and DJs alike. It was the perfect testing ground for new tunes and productions. Jens Thele, a DJ himself and an experienced sales and A&R man with various major record labels, offered local turntable heroes the chance to present their skills and sounds. A network of DJs and producers developed in the environs of the Kontor club and before the year was out, the first club compilation was in the shops. Kontor Records saw the light of day!
Combining club and label was a stroke of genius. Kontor grew and prospered at a rate of knots. Initial successes with Hamburg acts such as D.O.N.S., Shahin & Simon and Boys’R’Us created such a level of awareness that, before long, acts from further afield came knocking on the door of the modest Kontor office. National and international producers signed up, names like ATB, Blank & Jones, CJ Stone, Gouryella (Ferry Corsten/Tiësto), Rank 1, Spiller, Sunbeam, Trance Allstars and Underdog Project (their “Summer Jam“ hit went gold) to name but a few.
Within a year and a half of its foundation, Kontor found itself in the top 30 of the biannual singles charts listings and in second spot in the DDC club rankings by label. In 1999, Music & Media proclaimed Kontor as the most successful dance label in Europe and the readers of Raveline magazine voted Kontor Records “best label“. The prizes just kept rolling in, with Kontor picking up several trophies at the German Dance Awards. In the year 2000 the award for most efficient label was added to the cabinet, plus another four in 2001, including “Best A&R“ for Jens Thele and top vinyl export label for Kontor Records. The award for best national label made its way back to Kontor in 2003, with a similar prize going to Kontor three years running (2001-03) at the annual DJ Meeting, as voted by the nation’s DJs. In 2003, four of the five DJ Meeting awards went to Kontor or to acts on the label. Two Kontor acts - Scooter and Mad’House – actually collected the most prestigious prize in the German music industry in 2002, the Echo. Scooter returned the following year to win it again!
“For us it has always been important to work with artis